年紀越大越體會到一個真正gentleman的可貴。尤其那種歐洲黃金時代的紳士，從有條不紊的衣著到優雅的言語到精致的小物件到古典的居所，還有最重要的三觀，永不過時。這大概也是所謂”經典“的意義所在－－任何時候看都還覺得有共鳴。
最后一幕設計的很好，把一般意義上的偵探劇給升華了，尤其是波羅一貫的"人文關懷“精神，在老友黑斯丁那里將私人情感和普世價值融為一體；同時又以他個人的”謝幕“，設計了一個”雙重的完美謀殺“，然后的揭曉謎底和以前都不一樣，不僅僅實現了破案這個功能
看到《馬普爾小姐》有人做了一個索引挺方便的，于是我自己也把《大偵探波洛》的分集搬過來，方便查閱。
[https://movie.douban.com/review/8739068/]
這個劇集不僅每一季有一個詞條，而且每一集也都有獨立的詞條
第一季（1989）https://movie.douban.com/subject/2030879/
01 廚子驚魂/克拉珀姆廚師奇遇記 (The Adventure of the Clapham Cook)https://movie.douban.com/subject/1768224/
02 幽巷謀殺案 (Murder in the Mews)https://movie.douban.com/subject/1768223/
In the last episode, when he tried one last time to trick the murderer, and failed, Poirot gave us such a smile it almost broke my heart. Both of them, and us audience then knew, there was no other way. But it was only later, when Hastings was told the truth, it began to hurt terribly.
Can't say no more. Requiem for the detective with his impeccable gray cells.
大偵探波洛 第十三季：休·弗拉瑟作品，帷幕 they were good days
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